Tag Archives: my bloody valentine

Give My Love to Kevin: the return of My Bloody Valentine

12 Feb


Well, it actually happened… the follow-up to My Bloody Valentine’s “Loveless” – released in 1991 and given a questionable remastering last year – is finally available. Nearly twenty-two years later, with no further warning than an aside by Kevin Shields at a recent Brixton Academy gig in which he replied to a lairy fan’s heckle about the likelihood of a new MBV platter within the forseeable future with a shouting of  “two or three days!”, something jumped upon by the digital music press. After all, after such a long wait – the hysteria which greeted The Stone Roses’ tardy follow-up “The Second Coming” soon turned to disappointment when it failed to live up to the lofty heights of its eponymous predecessor.


And maybe it if this reference point we need to re-visit, to compare to the second coming (or the third coming, as “mbv” is – of course – the band’s third album “proper” when compendiums and reissues are ignored) of “My Bloody” (I distinctively recall annoying fans yelling “MY BLOODY!!” at the quartet’s memorable Rollercoaster gigs alongside Dinosaur Jr., The Jesus and Mary Chain and a pre-mega-fame Blur) especially when Madchester’s most infamous quartet (note I did say Madchester, not Manchester’s… obviously too many contenders for THAT title) rolled back into town for a series of triumphant reunion gigs last year.

Because, whereas the five years idled away between debut and (WARNING: irritating US music journalist word ahead) sophomore album the Roses built up an anticipation that couldn’t possibly be quenched by any album, by letting over an ENTIRE GENERATION go by between one much-loved (can I say “groundbreaking” yet?) album and the next – supposedly bankrupting Creation in his quest for a perfect sonic palette along the way – Kevin Shields replaced any possible whinges of “is THIS it?” with gasps of amazement that the album was actually being delivered at all. And as The Stone Roses themselves saw when their surprisingly successful return (I mean critically, any Roses reunion was obviously bound to be a star-studded sell-out) a real long absence really does make the heart grow fonder.


Like anyone who remembers the hazy crazy days of shoegaze in the early 1990s with half an eye on the internets, I watched the build-up to the “album drop” on Twitter. In real time. Will it, won’t it… some people were floating the idea that midnight Saturday/Sunday would be as good a time as any, a bit like when the megastores (RIP) used to open at midnight for the new Madonna album or whatever, and sure enough at the stroke of midnight mybloodyvalentine.org sprung into life.

Or rather, for most people, it didn’t. Tweets began to fill my timeline that “Kevin Shields has broken the internet” and a few die-hard fans began to whine in a way eerily reminiscent of those let down by the technology when trying to purchase Kraftwerk tickets a few weeks previously. I managed to get on to the site after refreshing lord-knows-how-many times, when it crashed as soon as I clicked a button. Then I saw the album had been uploaded to YouTube… and then I decided to call it a night.

But next morning Mary Anne Hobbes blasted a medley of the whole album over the BBC 6Music airwaves and I knew that I had to purchase it, and preferably on vinyl as mp3 probably wouldn’t do 22 years of sonic tweaking justice. Plus there was an LP + CD + download bundle option available on the now smooth-running MBV site, and the word LIMITED alongside the vinyl details. I punched my info in and am still awaiting my package. Let’s hope it doesn’t take another 22-odd years to arrive… after all this is the band whose last recorded effort as a quartet was a cover of “We Have All The Time In The World“.


I was going to do a track-by-track rundown of the mbv album (lower-case letters please) that has been on the iPod for around a whole week now but seeing that both Ned Raggett from The Quietus and Alexis Petridis from The Guardian have penned far greater reviews of this exhilarating long-player than this humble servant could ever hope to, you can read theirs instead (he said lazily). Nonetheless, my enthusiasm for “mbv” hasn’t been dimmed by a week of exposure, and although it is hardly a quantum leap from the intoxicating fuzz we fell in love with last time, the general standard of daytime-radio-friendly pop music has fallen so far (can YOU think of an early 90s irritant comparable to Guetta, Pitbull or the current slew of identikit boybands / urban soundalikes? Even Take Take that were almost bearable by comparison, ffs…) that the enchanting, dreamy, noisy wooze-pop that debatably kick-started “the scene that celebrates itself” (certain Bella Union bosses may beg to differ) was not only greeted with nostalgic glee but also as as breath of fresh air. Yes, the last track has a bit of a vintage drum-n-bass-wig-out edge to it, and in a couple of tracks Bilinda’s vocals are almost transcribable without a second listen, but there’s no doubt this is a My Bloody Valentine record. and a jolly fine one at that.

And what do the class of ’91 think of Kev and the gang’s return to our turntables? Emma from Lush tweeted that she “had heard a couple of tracks off YouTube on her “crappy laptop speaker” before proclaiming she was “gonna get the CD. Old school, yes”. Rachel from Slowdive opined – shortly after the album “dropped” – that she was “drowning in mbv”, and subsequently concurred with a follower that the album was “rather good” and that she “wouldn’t expect anything less”. Charlatan and sometime coffee man Tim Burgess described the album as “epic… loudly epic”, while David Gedge, the Ralf Hütter of The Wedding Present (and author of this post’s title, as you had probably spotted), protested he had “not had the chance yet” to hear the aforesaid recording and Boo Radley Martin Carr claimed to have been almost knocked down by a bus as he cycled home, enraptured by “mbv” on the headphones.

Meanwhile, from the world of football, Basque-born Spanish internationals past and present Gaizka Mendieta and Xabi Alonso both tweeted My Bloody Valentine related-links, with “only tomorrow” being a favourite of the Madridista. One Spanish tweeter pondered that if Xabi were allowed first dibs on the Real Madrid changing room sound system their unfortunate league trajectory could probably be dramatically reversed thanks to the power of MBV riffs.

To conclude, I would add that you could do a lot worse than investing in a hard copy of “mvb”, preferably on vinyl, or failing that on CD.

And when the package finally arrives… PLAY IT LOUD.

(Black & White mbv album shot as manipulated by The Richardson Fosters on flickr)


* My Bloody Valentine Peel Session from 1988

* Shonen Knife – When You Sleep (MBV cover from “Yellow Loveless” – Japan only tribute album)

* Uncut SNUB TV interview with Kevin Shields and Belinda Butcher (and Bobby Gillespie)


Jesus Cruyff!

7 Jul

A lot has happened in World Cup land since my last post.

Firstly England were knocked out by Germany, and Rooney, Cole, Terry, Lampard and co. were sent home with their collective tail between their legs. Well… maybe apart from Ashley Cole who possibly had his tail between someone else’s legs. Allegedly.

Then one by one big guns were knocked out, including hypothetical finalists such as Brazil and Argentina and big stars like Cristiano Ronaldo. Even the much lauded successor to Maradona – Leo Messiwas unable to notch up a single goal (possibly due to the fact that Xavi wasn’t in the Argentinian squad to pass to him), and El Pelusa himself (it means “Fluff” by the way, lord knows what the late Alan Freeman would have made of that, pop pickers..) eventually had to blub an embarrassed adios (or “AD10S” as the Spanish press styled it) to his dream job. Italian and French politicians asked questions about their respective teams’ piss-poor performance, and referees’ decisions were once more questioned, leading Sepp Blatter to make some vague promise to introduce technology into subsequent tournaments to stop such embarrassing gaffes reoccurring.

Ghana were also the last African team to be knocked out, sadly sparing headline writers for Marca and As proclaiming GHANA GANA from their front pages.

But, by the skin of their teeth and God on their side, Spain, pre-tournament favourites, made it through to the semis where they meet the mighty Germany later today. Villa’s goal against Paraguay was amazing, and the game had its fair share of refcentric slip-ups, including a penalty given when it shouldn’t have been, another not given when it should have been immediately after, a penalty that had to be re-taken after being saved, a goal that was probably rightly offside.. etc..etc

And then last night (it’s gone midnight!) Holland beat Uruguay with goals from an ex-Barça player and two ex-Madridistas. A very late second goal couldn’t save Veron and co. from defeat in the dying minutes but they put up a brave fight.

Which brings us onto a tenuous link to a footy-related EP which I believe even the excellent Football and Music blog hasn’t picked up on yet.

A Japanese shoegazing band on a My-Bloody-Valentine-meets-Jesus-and-Mary-Chain tip called cruyff in the bedroom (all lower case like that), formed in 1998, the year of Japan’s World Cup debut.

Their bio states that they were named after a “Dutch soccer coach named Cruyff who died before winning a World Cup” so we can only assume that the James Osborne and Andrew Thompson who allegedly wrote or translated the band’s English language blurb are Americans. They also have a MySpace page called “only feedback” (as in “Only Shallow” meets more feedback.. can you see the influences yet?).

So here is the prize at the end of the waffle, cruyff in the bedroom’s “top of the world” E.P. in full for you to take away, to celebrate Holland getting to the World Cup finals.

And if you happen to be passing through 下北沢, they’re playing at the Club Que there on Friday week.

That’s the Japanese band, not the Dutch football team.

>>>>> cruyff in the bedroom – top of the world <<<<<

And not a word about the German psychic octopus who predicted Spain would triumph over Joachim Löw’s men on July 7th!


Well I’m off to enter this exciting topical World Cup competition here, see you after the match!

Japanese Import

15 May

Ahh, dubstep.

A truly British musical sub-genre, borne out of the grime of suburban dancefloors, adolescent bedrooms and pirate radio stations broadcasting from sink estate tower blocks.
A sub-genre as English as fish and chips or binge drinking.
Straight outta Croydon.
(There’s the missing link between Dizzee Rascal and Captain Sensible, then..)
Much loved by the likes of Hot Chip.
A parochial taste, a bit like yodelling or flamenco.

So many may be surprised to discover that Japan is surfing its own little dubstep explosion.

However, when your own correspondent was in Japan back in 1994, when drum ‘n’ bass “broke through” to the UK charts, the local CD stores were bursting with imported “ドラムンベース” compilations and likes of Osakan comedians Downtown -masquerading as the Geisha Girls – and pop-techno whizz Tetsuya Komuro (who has worked with all manner of Japanese from old school idols like Seiko Matsuda, through J-chart fodder like Kumi Koda and Ayumi Hamasaki, to respected exports like DJ Krush and Ryuichi Sakamoto) were having “jungle”-based top ten hits.

Here’s a taste from leading light of the Japanese dubstep scene, DJ 100mado.
100bpm djmix 2010 april by 100mado

Is that a touch of My Bloody Valentine in there…
or a Flipper’s Guitar rip-off thereof?